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1.SYMPHONY NO.3, "EROICA", OP.55 IN E-FLAT MAJOR

Chicago Simphony Orchestra, 
con Fritz Reiner
(1954) 

1(1) Allegro con brio
2(2) Marcia funebre (Adajio assai)
3(3) Scerco (Allegro vivace)
4(4) Rnale (Allegro molto)

2.SYMPHONY N0.5, op.67 in c-minor

Chicago Simphony Orchestra, 
con Fritz Reiner 
(1955)

1(5) Allegro con brio
2(6) Andante con moto
3(7) Allegro
4(8) Allegro

3.SYMPHONY N0.6, "PASTORALE", OP.68 IN F MAJOR

Chicago Simphony Orchestra, 
con Fritz Reiner 
(1961)

1(9) Allegro ma non troppo
2(10) Andante molto mosso
3(11) Allegro
4(12) Allegro
5(13) Allegretto

4.SYMPHONY N0.7, OP.92 in a major

Chicago Simphony Orchestra, 
con Fritz Reiner 
(1959)

1(14) Poco sostenuto, Vivace
2(15) Allegretto
3(16) Presto, Assai meno Presto, Presto 
4(17) Allegro con brio

5.SYMPHONY N0.9, "CHORAL", OP.125 IN D MINOR

Philadelphia orchestra, con Eugene Ormandy
Mormon tabernacle choir - Richard P Condie
Lucme Amara, soprano
Lilt Chookasian, contralto
John Alexander, tenor
John Macurdy, bass
(1966)

1(18) Allegro ma non troppo, un poco maestoso
2(19) Molto vivace, Presto
3(20) Adajio molto e cantabile
4(21) Presto, Allegro assai, Rezitativo, Allegro assai

6.OVERTURES

Gewandhaus orchester Leipzig, 
con Kurt Masur 
(1973)

1(22) Coriolan, Op.62 (1972)
2(23) Egmont, Op.62 (1973)
3(24) King Stephen, Op. 117
4(25) The Creatures of Prometheus, Op.43 (1974)
5(26) LeonoreNo.1,Op.138
6(27) Leonore No.2, Op.72a (1972)
7(28) Leonore No.3, Op.72b (1974)
8(29) The Consecration of the House, Op. 124 (1973)
9(30) Overture in C, Op. 115 "Namedey"
10(31) The Ruins of Athens, Op. 113

7.12 MINUETS, Woo 7

Academy of St Martyn in the Fields, 
con Sir Neville Marnner 
(1978)

1(32) No.1
2(33) No.2
3(34) No.3
4(35) No.4
5(36) No.5
6(37) No.6
7(38) No.7
8(39) No.8
9(40) No.9
10(41) No.10
11(42) No. 11
12(43) No.12

8. 12 GERMAN DANCES, Woo 8

Academy of St Martyn in the Fields, 
con Sir Neville Marnner 
(1978)

1(44) No.1
2(45) No.2
3(46) No.3
4(47) No.4
5(48) No.5
6(49) No.6
7(50) No.7
8(51) No.8
9(52) No.9
10(53) No.10
11(54) No.11
12(55) No.12

9. 12 CONTREDANCES,WoO 14

Academy of St Martyn in the Fields, 
con Sir Neville Marnner 
(1978)

1(56) No.1
2(57) No.2
3(58) No.3
4(59) No.4
5(60) No.5
6(61) No.6
7(62) No.7
8(63) No.8
9(64) No.9
10(65) No.10
11(66) No.11
12(67) No.12

10.VIOLIN CONCERTO IN D,OP.61

Yehudi Menuhm, violin 
Vienna Philarmonic Orchestra, 
con Constantin Silvestry 
Cadenza Fritz Kreisler 
(1960)

1(68) Allegro ma non troppo
2(69) Largetto
3(70) Rondo (Allegro)

11.ROMANCES

Yehudi Menuhm, violin
Philarmonia Orchestra, 
con Sir John Pntchard
(1960)

1(71) Romance No.1 in G, Op.40
2(72) Romance No.2 in F, Op.50

12.FIDELIO

Don Fernando: Martti Talvela, bass. 
Don Pizarro: Theo Adam, bass-baritone. 
Florestan: James King, tenor. 
Leonore: Gwyneth Jones, soprano. 
Rocco: Franz Crass, baritone. 
Marzelline:PeterSchreier, tenor. 
First prisoner: Eberchard Buechner. 
Second Prisoner: Guenter Leib, bass. 
Leipzig Radio Chorus. 
Dresden State Opera Chorus. 
Dresden Staatskapelle, con. Karl Boehm. 
(1969)

1(73) Ouvertuere
2(74) Jetzt, Schaetzchen, jetzt sind wir allein
3(75) Miristsowunderbar
4(76) Hat man nichtauch Gold beineben
5(77) Gut, Soehnchen, gut
6(78) Halwelch'einAugenblick!
7(79) Absheulisherlwoeilstduhin
8(80) O welche Lust, in freier Luft
9(81) Gott, welch'Dunkel hier!
10(82) Er sterbe! Doch er soil erst wissen
11(83) O namenlose Freude
12(84) Heil sei dem Tag! Heil sei der Stunde